Alejandro Sanz is, in some ways, the thinking fan's Latin-pop star. His odes to love and confesiones del corazón have always boasted thoughtful lyrics and interesting, intricate arrangements. He never goes for the obvious, but he's still managed to keep the swoon factor high over the span of seven studio albums.
Even current single Looking For Paradise -- a joyous,bilingual duet with Alicia Keys -- has become a social statement of sorts. Sanz encouraged fans and friends (incuding Shakira, Juanes, Ricky Martin and Eva Longoria Parker) to upload videos of themselves describing their ideal paradise.
Paraiso Express, online and in stores Tuesday, continues the trend. And it finds Sanz a bit more relaxed in his overall approach and delivery. The breezy tone is largely thanks to lush, lovely production from Tommy Torres (an accomplished singer in his own right). Sanz says he ruled out the flamenco he often favors, going instead for a more international, rock-based sound.
One of Sanz's biggest assets is his unmistakable vocal rasp -- it adds a world weariness to every tune he tackles. He's filled Paraiso Express with mature ballads and soulful midtempos that find him looking, yearning, hoping for love.
Mala lurches along, all guitars and horns, like the titular femme fatale; and Tu No Tienes La Culpa details, with real ache, a complex relationship where no one is to blame.
Desde Cuando, Pero Esta Tarde No Te Vas and Nuestro Amor Sera Leyenda are vocal master classes -- gorgeous exercises in holding back and going full-throttle heartbreak at just the right moments.
He gets playful during kickoff track Mi Peter Punk, but for the most part, Paraiso Express finds Sanz on a slow, steady journey through the many aspects of love.
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